Untitled

themadeshop:

Illustrations from The Function of Colour in Factories, Schools and Hospitals, (1930)

growhousegrow:

What 1939 thought fashion in 2000 would look like.  Swish!  Via MentalFloss.

growhousegrow:

Skeleton Riders c. 1920s, via gravesandghouls.

growhousegrow:

Skeleton Riders c. 1920s, via gravesandghouls.

growhousegrow:

Luigi Pirandello, Diana e la Tuda, 1926.
Voa sisterwolf.

growhousegrow:

Luigi Pirandello, Diana e la Tuda, 1926.

Voa sisterwolf.

gurafiku:

Japanese Advertisement: SKIYARN. Womens knit fashion. 1955

gurafiku:

Japanese Advertisement: SKIYARN. Womens knit fashion. 1955

prostheticknowledge:

Excerpts

Interesting collection of posts from the okkult Tumblr blog which takes a look at films of interest in the public domain, complete with descriptions, links, and of course, gifs.

All are tagged under ‘excerpts’, which you can see for yourself here

A French Artist dressed classical sculptures as hipsters and this is how they turned out

did-you-kno:

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Note: The models of the sculptures were used for the project not the real ones.

Source

awesomepeoplehangingouttogether:

Rita Hayworth, Orson Welles and Marlene Dietrich

awesomepeoplehangingouttogether:

Rita Hayworth, Orson Welles and Marlene Dietrich

growhousegrow:

Love it!  Via theoddmentemporium:  

‘Jumpology’

When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears” ~ Philippe Halsman

The freezing of motion has a long and fascinating history in photography … But rarely has stop-action been used in the unlikely, whimsical and often mischievous ways that Philippe Halsman employed it. [B]ecause of Halsman’s sense of play, we have the jump pictures—portraits of the well known, well launched.

This odd idiom was born in 1952, Halsman said, after an arduous session photographing the Ford automobile family to celebrate the company’s 50th anniversary. As he relaxed with a drink offered by Mrs. Edsel Ford, the photographer was shocked to hear himself asking one of the grandest of Grosse Pointe’s grande dames if she would jump for his camera. “With my high heels?” she asked. But she gave it a try, unshod—after which her daughter-in-law, Mrs. Henry Ford II, wanted to jump too.

For the next six years, Halsman ended his portrait sessions by asking sitters to jump. It is a tribute to his powers of persuasion that Richard Nixon, the Duke and Duchess of Windsor, Judge Learned Hand (in his mid-80s at the time) and other figures not known for spontaneity could be talked into rising to the challenge of…well, rising to the challenge. He called the resulting pictures his hobby, and in Philippe Halsman’s Jump Book, a collection published in 1959, he claimed in the mock-academic text that they were studies in “jumpology.”

Images: 1. Marilyn Monroe, 2. The Duke and Duchess of Windsor, 3. Sophia Loren, 4. Shirley Maclaine, 5. Dean Martin and Jerry Lewis, 6. Hattie Jacques, 7. Audrey Hepburn, 8. Grace Kelly, 9. J. Fred Muggs.

[Source: Smithsonian Mag | More Images]